SOURCES MANUSCRITES EN TABLATURE
MANUSCRIPT SOURCES IN TABLATURE

Vol. IV. Grande-Bretagne (en préparation)


ABERYSTWYTH, National Library of Wales (GB-AB)
Brogyntyn Ms 27 (dit Brogyntyn Ms.)

135 p. 167 x 213 mm (obl.). Origine anglaise. v. 1595. 1 main. Luth à six choeurs (G c f a d' g'). 15 duos pour soprano et basse; 1 trio et consorts.

 

1-5

[Textes poétiques et juridiques]

 

6

[Poème amoureux]

1

The Queen's Dump/Johnson's Second Dump, duet ground [John Johnson]

2

7

The grounde to A treble sett by Mr. John Johnson [luth 2]

3

duet ground

4

7

duet ground

5

7

good night [and Good rest] [John Johnson] [2 luths]
cf. GB-Cu Ms. Dd.2.11, f. 86.

 

8-12

[blanches]

6

13

Deligh[t] Pauen [John Johnson]
cf. GB-Cu Ms. Dd.3.18, f. 20v-21.

7

13

Alph[onso Ferrabosco] Paue[ne]

8

14

Je file [Philip van Wilder]
cf. GB-NO Ms 16.16C, f. 91v-92v [clavier]

9

15

Mr Mer: chant [Marchant]

10

16-17

Medley J: J [John Johnson : The Old Medley]

11

17

Galliard J: John: [John Johnson]

12

18-19

Replete for three Luts.

13

19

Pag: Gal: [Packington's Galliard] [duo: luth 2]
cf. GB-LLwilliams Ms. s.c., f. 9.

14

19

Pag: Gal: [Packington's Galliard] [duo:luth 1]
cf. GB-LLwilliams Ms. s.c., f. 9.

15

20-21

Passemesures paven [passamezzo antiquo, duo, luth 2]

16

21

Passemeasures paven [passamezzo antiquo, duo, luth 1]

17

21

omn[i]n[o] galiard [J. Johnson : Omnino Galliard]
cf. GB-Dtc Ms D.1.21, p. 90 et GB-Dtc Ms. D.3.30, p. 31.

18

22-23

Passmesurs: pauen.

19

24-25

Quadron pauen: [John Johnson : Quadran Pavan, passamezzo moderno]
cf. GB-Cu Ms Dd.9.33, f. 93v-94.

20

25

[Ground to the Quadran Pavan]

21

26-27

Pauen Del' tromba [De la Tromba]

22

27-28

Del' tromba Galliard

23

28-29

Leueche pauen [John Johnson : Lavecchia Pavan]
GB-Lbl Ms. Egerton 2046, n° 1.

24

29

The Galliard to Leueche [John Johnson : Lavecchia Galliard]
GB-Lbl Ms. Egerton 2046, n° 2 et 3.

25

30

Mr Drewries accord. for two luts

26

31

Eccho for two luts by Mr Fra[ncis] Pilk[ington] Bach[elor] of Musicke

 

32-124

[blanches]

27

125

How can ye tree [How can the tree but waste and wither away]

28

125

The sanct I serue [The saint I serve: accompagnement seulement]

29

125

Where gripinge griefe the hare[t] woulde [Richard Edwards]

30

125

If all the gods

31

126

Thegripinge griefe that [The Griping Grief, Richard Edwards]

32

126-127

Secunda pars : Ahah alasse [Richard Farrant/ Robert Parsons : Ah alas you salt sea gods]

33

127

Ah dolores maesto [Dolor es maesto]

34

128

To winne renowne [To win renown]

35

128

Alasse alacke [Alas alack, my heart is woe]
cf. Peter Warlock, The Third Book of Elizabethan Songs (Paris, 1926), p. 23.

36

129

In terrors trappe

37

129

What time ulis [What time Ulysses]

38

129

When Woemen first dame Nature Wroght [Richard Edwards  : When women first dame nature wrought]

39

130

Yf frandles faith [If friendless faith]

40

130

Mistrust misdeems amisse

41

130

I sighe to see [I sigh to see]

42

131

A doulfulldeadlie pange [Nicholas Strogers : A Doleful Deadly Pang]
cf. Peter Warlock, op. cit., p. 19.

43

131-132

Com treade the pathes [Come tread the paths]

44

131-132

Not shee

45

133

Wing'd wthdesire [Winged with desire]

46

133

The bitter sweete

47

134

Mingo

48

134

The flames of fyre

49

135

Awhile longe while [A While Long While]

50

135

Though straunge I seeme [Though strange I seem]

RISM B VII, p. 3.

Monique ROLLIN (†)